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|"I thought you might like to hear my reaction to the rehearsal I attended earlier this week. In a word, brilliant! It was so refreshing to see the whole choir listen and respond to the conductor throughout the rehearsal. The standard, too, was dauntingly high. I would like to apply for an audition."|
Enquiries about joining the choir are welcome at any time, but the best way is to join us for rehearsals when we start a new programme, normally at the beginning of each term: in 2016 on 6 January, 13 April and 7 September. However, in the Spring term, we are starting to rehearse the new programme on 9 March and prospective members would be welcome to start then, or otherwise on 13 April. If you like what you see and hear, there will be an audition session for prospective members within three or four weeks of the start of the term. If you wish to visit later in the term, with a view to joining the choir, we will also arrange that for you at a suitable point in the programme.
To arrange a visit to a rehearsal, please contact firstname.lastname@example.org.
We rehearse every Wednesday from 7.15pm to 9.30pm at Newman House, Harrisons Road, Edgbaston, B15 3QR (map). Our rehearsal hall has plenty of free car parking.
Auditions consist of:
We can vouch for the friendliness of our choir, but let the Birmingham Post speak for our musicianship in performance:
“Performing Britten's 'A Boy was Born' must be rather like taking part in an Olympic Decathlon: you need stamina, technical command, awesome breath-control, agility and loads of nerve. The Birmingham Bach Choir breasted the tape after an impressive display of discipline, concentration and resource”.
Bach’s 'B minor Mass' in Symphony Hall:
“Conductor Paul Spicer has trained these highly committed amateurs to sing as though members of one of the tiny chamber choirs he directs so brilliantly. Phrasing is supple and almost instrumental…”
Mozart 'Requiem' and Haydn's 'Nelson Mass' in the Adrian Boult Hall:
“From the unforced steady tread of Mozart’s opening Requiem Aeternam to the closing bars of Haydn’s Dona Nobis Pacem this was an evening of disciplined choral singing, full of concentrated energy with vocal lines at the loudest seemingly carved out of granite, and at the quietest bathed in a vibrant glow”.